Saturday, August 22, 2015

Happy Lovers

Happy Lovers (1760-5)
Jean-Honore Fragonard
Norton Simon Museum, Pasadena, CA

Fragonard brought to life the immensely popular works of the seventeenth-century author, La Fontaine, whose fables and tales, with their unchristian licentiousness and sensual allusions, captured and enlivened the soul of the spectator, providing him or her with aesthetic and spiritual edification as well as visual delight. 

Happy Lovers illustrates a world of aphorisms, of never-ending attraction and beauty, through the lens of laughter and enjoyment, the sensual and the pleasurable. The couple's undying admiration for one another leads us up a road of delectation, and then abandons us there to imagine what happens next. 

La Fontaine cleverly disguises inferences by not telling us what happens between the couple, gently pushing our minds to wonder and our souls to smile. Similarly, Fragonard's light brush strokes evoke games that precede love-making. 

Never lewd or lascivious, but caressingly erotic amid a lush background of foliage or in an enchanting bedroom or boudoir. 

The couple seem light-hearted and fancy-free, as if they have granted themselves permission to fully experience the impressions that naturally flow between lovers. 

We imagine their sweet discourse, expressed in the language of love ... 

Je t'aime 
          Je t'adore 
                    Tu es ma joie de vivre 
                              Mon amour pour toi est éternel 
                                        Ton amour est précieux comme l'or 
                                                 C'est pour toi que je suis ...

Que mes baisers soient les mots d'amour que je ne te dis pas 
(Kisses are the unspoken words of love). 

Entre deux cœurs que s'aiment, nul besoin de paroles 
(Two hearts in love need no words, Desbordes-Valmore). 

Dans tes bras c'est mon destin 
(My destiny is in your arms) ... 

Such romantic expressions portray love, laughter, and enjoyment. They tell the story of fruitful delight, of a young woman's welcoming eyes, and a man's fallen delight in the object of his affections. Continually declaring their sentiments, the clouds remain as light, vaporous and ethereal as dreams, which is where their love dwells ... half, between this life ... half, between an almost impressionistic landscape under their special tree. 

Her hopes match his plans. To the unsuspecting spectator, their gestures are light and comical, exploding with excitement and over-sentimentality. For the lovers, their sentiments raise them toward the sky, a symbol of celestial ascension and immortality ... from which the declaration mon amour pour toi est éternel  arises ... 

Instead of being surrounded by the animals of Arcadia, the visions of pastoralism and harmony with nature are seen in the mountainous topography and solitude of this scene. Their world is a poetic byword for an idyllic vision of unspoiled wilderness, reflected in their purity of their shared love. 

He caresses the colombe (dove) in his hands, symbolic of the freedom they have embraced. She, holds over his head the cage, illustrating that their time together is fleeting. In her other hand she holds the strings to his heart, as it is the woman who says yes

They have escaped the restraints of their world and found homage in a secluded and peaceful space. For this moment, they are perfectly content. She holds her lover, allowing him to recline lovingly into her essence. In Arcadia the traditional roles of male and female take on their mirrored opposites. Instead of capturing the woman, he relinquishes control and allows himself to fall lavishly into her loving arms. She, instead of merely submitting, embraces and opens herself to him. 

Les deux pigeons (1883)
Gustave Doré

The cage is empty because time is fleeting. Knowing this intensifies their desire to fully immerse themselves in the earthly and celestial aspects of being. La Fontaine adds morals to his fables, not simply leaving the story for the reader to interpret allegorically. 

In Les deux pigeons (Book IX.2), La Fontaine ascribes the most tender feelings in relation to the evocation of past innocence: 

Deux pigeons s'aimaient d'amour tendre

Encore si la saison s'avançait davantage!

Mais le désir de voir et l'humeur inquiète
L'emportèrent enfin. Il dit: Ne pleurez point:
Trois jours au plus rendront mon âme satisfaite

A ces mots en pleurant ils se dirent adieu.

Un seul arbre s'offrit, tel encor que l'orage

L'air devenu serein

Voilà nos gens rejoints; et je laisse à juger
De combien de plaisirs ils payèrent leurs peines

Amants, heureux amants, voulez-vous voyager?

Que ce soit aux rives prochaines;
Soyez-vous l'un à l'autre un monde toujours beau,
Toujours divers, toujours nouveau;

Honorés par les pas, éclairés par les yeux

Hélas! Quand reviendront de semblables moments?

Me laissent vivre au gré du mon âme inquiète?
Ah! si mon cœur osait encor se renflammer!

Ne sentirai-je plus de charme que m'arrête?
Ai-je passé le temps d'aimer...

In this moment, he willingly gives his love to her. Theirs is a love the symbolizes the immortality that spans humanity. His desire is not to conquer, his desire is to embrace, to affirm his soul's deepest desire. She is his kingdom, sa reine ... he is her brave and morally pure soldier. Blended together their love reveals what awakens the senses and delights the eyes and the imagination. 

At first glance they are amused and light-hearted, but when examined more closely, we see that indeed, the soft flowing fabric reveals a more tender unconscious form of the grandeur that connects them through time, transforming a seemingly frolicsome theme into a dream reality, where earthly and celestial worlds collide and contrast with each other. 

Our Happy Lovers are loved and admired, the correct path leads them back to the beginning of their legendary tale. Their l'oraison is a tale of pleasure, a colorful contribution to the delight of lovers everywhere. He is a good, earnest and honest fellow, never taking advantage of his love, even when she offers him all; he only takes what is needed to elevate their love toward a harmonious exchange. She, with her innate innocence, gives freely, forever appreciating his protective nature. 

She is his beauté, and he is her lapin ... 

Je n'ai pas su ce qu'étant dans le lit
Ils avaient fait ...
Apparemment le meilleur de ce conte
Entre deux draps pour Renaud se passa ... 

Fragonard was one of the first painters to depict so many couples kissing. Before the eighteenth century, kisses indicated treason ... 

Kisses of Judas (1304)

... or motherly tenderness 

The Virgin Enthroned (1525)
Quentin Massys

... or a lecherous old man's lust 

The ill-matched lovers (1530)
Lucas Cranach

But the perfect lovers, the ideal lovers, are those lovers that blissfully transcend the world around them. They forget about that which the world sees; their world is pleasantly decorated and cozy, perfect for an embrace. 

Happy Lovers reflects the sincerity and passion in the hearts of lovers, as well as the curiosity contained in their soul. Their eyes are mirrors representing harmony as well as conjugal bliss and unity. Only when they look away do they feel the sting of separateness. 

Most importantly is that which we cannot see, that story which lies behind them and holds a particular importance. Lying upon an edenic bed, cooled by the shade of their sacred tree, the two lovers forget themselves ... she, graceful and charming; he, regaining his strength, his soul healed ... their fortitude is their shared love. 

Some lovers hide a secret they dare not unveil ... the time in this picture is dusk, it represents the gently stirring embers of time. The light that shines upon them is a metaphor for love; it overpowers the one who loves so that they can think only of the object of their affection and desire. It also represents the consummation of their love, the fire that results from their union. 

But fire also stands for a purifying and illuminating experience. 

Mais vous, Madame, à qui ressemblez-vous?
A nul object; et je n'ai point mémoire
D'en avoir vu que m'ait semblé si doux.
Nulle beauté n'approche de la vôtre
Or me voice d'un mal chu dans un autre:
Je transissais,  je brûle maintenant.

As our gaze comes to a close, we leave with a sense of pure contentment. The strings of time require constant attention, but they are not selfish creatures, they indulge in idleness only because they have given themselves to happiness and to each other. Their imaginative appetite narrates and illustrates beauty and allows our minds to run free. They immortalize the "carpe diem" advice for lovers, which La Fontaine warns that Le temps est cher en amour comme en guerre ... ("In war or love, time is equally dear) ... 

Happy Lovers is analogous to a high spiritual experience, one that enlightens the soul, transforms the mind, consumes the heart, and engulfs the soul ... their love is the source of creative genius. 

Their smiles rise above the landscape with a burning, unquenchable desire for a higher level of pure happiness and aesthetic pleasure, a fusion of reflection and fire that delights and captures, enchants and frees us from our daily life... uplifting us to a level of transcendent bliss that can only be obtained by contemplating true love. 

Monday, July 20, 2015

Kidding Ourselves

I recently had the pleasure of playing a game called Liar's Poker with two people whom I know well. Together with a family friend, we played a few rounds of friendly card games, Liar's Poker being the funnest of them all: assuming laughter is our measure of agreed-upon consensus. 

Liar's Poker is a delightful game of kidding ourselves and kidding others. Only, the best liar's win! Consistently, that is ... 

On occasion us literal folk "Get Lucky!"

What does luck have to do with winning? 

Jerome K. Jerome once said, "It is always the best policy to tell the truth, unless, of course, you are an exceptionally good liar." 

Bravo, Old Chap!

Couldn't have said it better, myself!

As much as we'd ALL like to think of ourselves as "good liars" the reality is, 

"It is hard to be a good liar, even when it comes to your own intentions, which only you can verify." 

[Steven Pinker, How the Mind Works, pg. 421; Kidding Ourselves].

Occasionally lying is about luck. After all when someone "pulls off" a lie, they often feel "lucky" that no one was paying close enough attention. In a game of paying close attention to what one is doing in relation to other, it is simultaneously the art of paying attention to what other's are doing. No easy task depending upon the mindset. 

Closely related behind luck lies a mindset. The mind that pays more attention to itself -vs- the mind that pays more attention to others. 

Emotionally charged, highly complex, high intensity people generally pay more attention to their own thoughts, with the thoughts of others providing them with a never-ending stream of fodder for analytical self-examination. 

The result of this Descartian-like examination is a direct projection of the individual's primary or core objective; be that "have fun in life" ... "give to others" ... or "sit back and take it all in" ... and then do - or don't do - something about it. 

It is one of these primary motivators which fuels the person's emotional system, the feel-good or feel-bad modulator of whether or not we have achieved our goal (relates to our perception of reward and punishment). 

Lying well is equally distributed across the range of personality types, with quiet people making the best liars. Quiet people are perpetually overlooked, even by those closest to them; those who generally do most of the talking. 

The persons doing most of the listening learn the most. Those who do most of the talking are often times their subjects; unless they're not actually paying attention. Some quiet individuals are just as focused on themselves as are their more voiceterous counterparts. These masters of letting others take center stage quietly and un-perceptively disappear into their own worlds while others rattle on. 

The hidden declarations behind those things we don't intentionally share are as visible as the things we do share - to someone who is paying close attention. The Reader, like the quiet person, considers the author or speaker in relation to the penning or rhetoric. Even if the author or speaker thinks him or herself removed from the subject matter at hand, the existence of the link itself serves as an indicator of relation, irrespective the density of the thread connecting the two - with the connecting thread precisely matching our perception of self in relation to other. 

Gorgeous Bad Boy of Neuroscience
Steven Pinker

According to Steven Pinker, intentions come from emotions, and emotions have evolved displays on our faces and bodies. He goes on to say that unless you're a master of the Stanislavsky method, you will have trouble faking them; in fact, they've probably evolved because they were hard to fake. 

Expressionism is a quality of inner experience, with the emotions or expressive qualities communicated through emphasis and distortion, which can be found in the below artwork by Charles Lebrun (French, 1619-1690), Expressions of the Spirit's Passions, c. 1663, engraving.

Lying is no easy task. In fact, it's downright exhausting - more so if it is with someone whom we are close because they are more familiar with our responses. 

In this respect, Liar's Poker is a fascinating game to play with others. To see if you can recognize the telltale markers of elevated breathing, half-smiles, and those little twinkles someone gets in their eye when they're being playful. This is what has attracted generations of people to card games. 

Just as *an artist must say without saying, so too a liar must distort their hardwired responses. These hardwired responses are the rationale behind polygraphs, the so-called lie detectors. They are also the rationale those highly skilled people evolved in lie detection utilize. The more often the utilize it, the more so-called Machiavellian we consider them. 

Analytical individuals skilled in observation and analysis make the best liars. Natural liars are those individuals who quickly dispose themselves to mimicry. These human mimickers learn to utilize mimicry as their form of communication. Mimicry slows things down to a respectable pace, one conducive of deeper examination. 

In many religions lying is a BIG NO-NO. To whatever philosophical belief system one ascribes, lying is universally recognized as something we shouldn't do. The notion of "right" and "wrong" are associated with reward and punishment. With all of life's experiences reinforcing this concept from birth forward, it is no wonder there is so much to learn by playing games where kidding and concealing take center stage. In terms of polite social interaction, Liar's Game is very provocative. 

For those forever trumped by their own knowledge, there's the annoying fact that some propositions logically entail others. These poor beings are essentially in possession of knowledge they must continually assess in terms of its relevance or value to a given interaction. 

One might respond to this discriminating challenge with resentment, in particular if one leans toward divergent interactions; however, one might also respond to this experience as an invitation to play, an opportunity to learn more by joining in someone else's sandbox to play the game from another's point of view. 

Games that allow us the opportunity to kid ourselves and kid others heighten our ability to recognize our self in relation to other. Independent of where we are in relation to our understanding of self in relation to other, opportunities for further understanding of our intentions and the intentions of others emerge. From the delightfully surprising information we gleam from the experience to the new strategies we develop to the bigger pictures we envision, games of self deception allow us to examine the theories we hold, conscious and subconscious, alike. 

The conscious mind sometimes hides the truth from itself in order to hide truth from others. The result is that truth is hidden from our own examination. These hidden truths sometimes serve us well, but not always. 

If one wishes to leave their lives up to chance or luck, then by all means, enjoy the unveiling, one card at a time. 

If you're the type of person who wishes to look at the hand you're holding prior to betting, or if you're a person playing to win, the ego's defense mechanism (such as repression, projection, denial, and rationalization - the most cunning human mechanism) is your mentor. For these people truth is useful. In this mindset truth is registered as a "utility" and walled off from the parts that interact with others. 

No wonder the notion of Freud and the subconscious play center stage. When one is more inclined toward disbelief and skepticism, one resonates with skeptics like George Orwell and cynics like George Castanza. For these types of individuals, there is always a hidden secret to be exposed. What one does with that is entirely a matter of taste. 

Then there are those people who good-hearted, well-meaning people who regularly look under the surface. How far they perceived can only be assumed by their actions. Someone who resonates with the above quote might resonate for a variety of reasons, while others might say something like: 

There are some individuals who still think of others as a potential playmates or future best friends. These individuals retain larger portions of that early childhood playground brain in relation to others where there is no need for lying, as it only gets in the way of having a good time. 

But what about those phenomenologists, you ask? 

Phenomenology inclines one to seek out wisdom writings, the thoughts of great statesman, writer-thinkers, lovers of wisdom, poets, and enlightenment thinkers ...such as Abraham Lincoln, Cicero, Plato, Octavio Paz and Voltaire. 

But what about François La Rochefoucauld? Didn't he say that, "Our enemies' opinion of us comes closer to the truth than our own." 

Maybe what Rochefoucaul was really saying was that he thought about others so much that he presumed they thought a lot about him, just as often. 

Not from what I've observed

In reality, people spend an extraordinary amount of time thinking about themselves - not others. Ludwig Wittgenstein said that, 

"If there were a verb meaning "to believe falsely," it would not have any significant first person, present indicative." 

What do you think, Mr. Twain?  

Mark Twain told us that there was one surefire way to find out if a man is honest: 

Ask him, if he says yes, you know he's crooked.

According to Twainian logic, 
I'm crooked

I didn't realized I was "crooked" - or did I? 

You see, that's just it. It is difficult to see clearly the emotions without first filtering them through our own lens, without examining them in relation to how we perceive the world. We can only know of another's intentions according to our own perception and our belief about where others are in relation to our perception, be it hidden or revealed. 

Neuroscientist Michael Gazzaniga has shown that the brain blithely weaves false explanations about its notions. In terms of how the brain is wired, we can be actively utilizing one side of our brain without the other side being aware of it. This anomaly is best understood when considering the split-brain patients who have their cerebral hemispheres surgically disconnected as a treatment for epilepsy. 

Hundreds of experiments in social psychology tell us that people present themselves to others by putting themselves in the best possible light. 

Stepford Wives

A reader of Garrison Keillor would describe the fictitious community of Stepford as one of those places "where the women are good-looking, the men are smart, and all the children are above average." 

Sounds like Silicon Valley...

Most people consider themselves above average in the traits they value most: leadership, sophistication, athletic prowess, driving skills, physical appeal or beauty. 

When these people play Liar's Game they attribute their success to their own skill and their failures to the luck of the draw or to their idyllic adherence to honesty. When they are fooled by a game or experiment, they consider it a compliment to their singularly focused goodness, to their true nature, which is always registering due north.

For these people there is no contradiction between "It's hard to lie" and the proposition "I didn't realize lying was so cunning." 

According to Eliot Aronson these people doctor their beliefs in order to contradict the proposition "I am nice and in control." 

Besides, who would want to believe otherwise? Doing so would be blatant evidence of otherwise, that we are not as beneficent and effective as we would like people to think. The urge to reduce the distinction is the urge to get our stories straight. 

It's one thing to grasp the deception of others, it's another to glimpse our own. There are moments in the game when little nerves are activated. If everyone knows when we are lying, how can we possibly keep our private thoughts private? 

Maybe we can't. Maybe we should actually play Liar's Game to teach ourselves how not to lie rather than to hone our ability to successfully do so ... focusing on how not to subconsciously deceive others, and how not to accept that which we have not fully examined. 

Cue Descartes. 

Over time, our attitudes about lying evolve. Those things we perceive as being full of innuendo, when reconsidered, sound gentler, even reasonable. Notably our attitudes are always biased and continually shifting. 

Shifting through our biases is no easy task, as Descartes so eloquently and with great insight reminds us: 

  • Good sense is, of all things among men, the most equally distributed; for every one thinks of himself so abundantly provided with it, that those even who are the most difficult to satisfy in everything else, do not usually desire a larger measure of this quality than they already possess. 

  • The greatest minds, as they are capable of the highest excellences, are open likewise to the greatest aberrations. 

  • I know how very liable we are to delusion in what relates to ourselves, and also how much of the judgments of our friends are suspected when given in our favor. 

  • They who set themselves to give precepts must of course regard themselves as possessed of greater skill than those to whom they prescribe. 

  • I was convinced that I had advanced no farther in all my attempts at learning, than the discovery at every turn of my own ignorance. 

  • The grace of fable stirs the mind. Eloquence has incomparable force and beauty. 

  • Philosophy affords the means of discoursing with an appearance of truth on all matters, and commands the admiration of the more simple. 

  • It is useful to know something of the manners of different nations, that we may be enabled to form a more correct judgment regarding our own, and be prevented from thinking that everything contrary to our customs is ridiculous and irrational - a conclusion usually come to by those whose experience has been limited to their own country. 

  • On the other hand, when too much time is occupied in traveling, we become strangers to our own native country. 

  • Those in whom the faculty of reason is predominant, and who most skillfully dispose their thoughts with a view to render them clear and intelligible, are always the best able to persuade others of the truth of what they lay down. 

Not all disposed as such exercise this skill for personal gain

  • There is not a single matter in philosophy that is not still in dispute, and nothing, therefore, is above doubt. 

  • Considering the number of conflicting opinions touching a single matter, how can only one be true? 

  • I had always a most earnest desire to know how to distinguish the true from the false, in order that I might be able clearly to discriminate the right path in life, and proceed in it with confidence. 

  • I at length resolved to make myself an object of study, and to employ all the powers of my mind in choosing the paths I ought to follow. 

Other than those Siren's of discourse, the caprice of human interaction, the patterns of human behavior that trend, the little or not moderation of thought that lies behind many human interactions, what contributes to the complexity of our minds and the games we play is precisely a relation to how we perceive the world, how we kid ourselves and others into thinking one thing when sometimes we are thinking about an entirely different matter altogether. 

But we are not all perpetual dupes of our own chicanery. While it is true that many buy into their own hand, not all are inefficient in examination, in particular examination in relation to other. 

Games of trickery also allow us to act out new roles. To purposely experience those things we (think we) don't employ, vacillating between cluelessness and cunningness. 

The nonjudgmental, noncompetitive, nonmaterialistic, affectionate, honest, unmanipulative, unaggressive, communal, and unconcerned with status delight in games of trickery much like how they delight in moon-gazing, music, and dancing. There's a special freedom that goes along with acting out harmless social experiments. 

Doing so offers us a glimpse into our higher reasoning. It liberates us with new thoughts, and renews our relationship with self. The enduring wholeness and beauty of games enables us to better understand ourselves in relation to society, nature, and self. 

Each hand greets us with a new opportunity to have a conversation with one of our ideals, and is perhaps reminiscent of the free-love communes of nineteenth-century America, the socialist utopias of the twentieth century, the practice of Bohemianism, and all those other movements accumulating hordes of young seekers of truth and beauty. 

Human universals are found in all cultures. They include prestige and status, inequality of power and wealth, property, inheritance, reciprocity, punishment, modesty, regulations, preferences for partners, divisions of labor by group, hostility to other groups and conflicts within the group. The scale of plots play out with every new shuffle of the deck. 

Our stories of triumph and conflict forever retold by history's winners and losers. But this does not mean that losers lose. It merely means that there is a territorial imperative associated with each experience, and throughout life we hold and consider many so called perspectives. 

Natural selection invites cooperation and generosity just as often as it engineers problems. The difficulty of seeing the hand in play is directly related to our on-board computer, the sophisticated programs we have continually running in the background. 

The mind computes and engineers by natural selection, our motives for playing are tailored as much by truth as they are by falsehoods. Liar's poker is one of those social games, that while seemingly straightforward, invites powerful agents of examination. 

Once we know how to play, one we recognize how we relate to and portray ourselves to others, we can better conduct ourselves according to our core or primary motivation; be that "have fun in life" ... "give to others" ... or "sit back and take it all in" ... and then do - or don't do - something about it. 

It's one thing to play the game,
it's quite another to play again.

*Duke Ellington (1899-1974), American Jazz composer, pianist, and bandleader. 

Thursday, July 9, 2015

The Theory of Form, Fit, and Function

What motivates a system to operate according to a certain set of principles? A well-known version of this question relates to people: 


What motivates a person to act or think the way he or she does? 


Form, Fit and Function. 

Wikipedia eloquently states that 

Design science research involves the design of novel or innovative artifacts and the analysis of the use and/or performance of such artifacts to improve and understand the behavior of aspects of Information Systems (IS). In design science research, as opposed to explanatory science research, academic research objectives are of a more pragmatic nature. Research in these disciplines can be seen as a quest for understanding and improving human performance. [1]

The aim of the explanatory sciences, like natural sciences and sociology, is to develop knowledge to describe, explain and predict. When directed toward an objective, these guidelines serve as three pivotal points from which truthful propositions can arise, which can be utilized as a lens for deeper investigation into contingencies and complexities. The most accurate method of analysis to examine form, fit, and function is a method composed of form, fit, and function.

Take Evolutionary Psychology, which is essentially the combination of two sciences ~ evolutionary biology and cognitive psychology. These two sciences fit together in a way that supports a form, fit, function construct, enabling scientific accounts of human nature plausible.

Cognitive Psychology

Cognitive psychology is a theory of mind. It transformed psychology from a vague set of unclear ideas into a science. The two main ideas are:

  1. Actions are caused by mental processes
  2. The mind is a computer
Mental Processes

Psychology is the science of human behavior. It attempts to explain why humans do what they do? Everyone is an amateur psychologist, constantly offering explanations for our actions and for the actions of others. For example when I see someone texting and then crashing into someone else, I might explain this action in the following way:

  • This person thinks they will not crash as a result of their texting

This kind of explanation is called a mentalistic explanation because it refers to mental processes like beliefs and desires. When we explain actions by referring to beliefs and desires, we are claiming that these mental processes are the causes of our actions. Philosophers call this "commonsense psychology" or "folk psychology", which has been around since there were folk talking about other folk.




Scientific accounts of human nature are made plausible by examining the biological construct of the human mechanism (form/beliefs), the consequences of that construct (fit/function), and the core operating system (motivations/function).

Psychologists utilize the form, fit, function system to explain and predict human behavior. Generally the first two propositions: Form and Fit, are sufficient enough to explain and predict *90% of human behavior. The other 10% account for unknown propositions associated with the core operating system or key motivation (function). This is an unknown unless the subject under evaluation does the following:

  1. Analyzes through a series of quantifiable tests their core operating system, i.e., their Prime Motivator
  2. Correctly identifies that Prime Motivator
  3. Correctly correlates the Prime Motivator to actions
So long as these measures are executed precisely, our ability to explain and predict human behavior would increase to 99%, leaving a 1% chance for variable behavior based on systems outside the human mechanism, such as those catastrophic events only precisely designed instruments can detect. 

Big Data 

Big Data is a broad term representing large or complex data sets that traditional processing applications are inadequate. Understanding Big Data is understanding that 1% variable form, fit, and function cannot answer.

Data sets grow in size because new variables are constantly and exponentially being added to the mix. With each addition the memory capacity explodes, sensors go off, and even the size of the pixels in each scenario multiply.

The plot of this CPU transistor counts against dates of introduction is a visual example of data mapped on logarithmic vertical scale, with the line corresponding to exponential growth, in this case, the transistor count is doubling every two years.

Strategians studying Big Data with the aim of explaining and, more importantly, predicting the results of human behavior have their work cut out for them. Skilled Strategians can explain and predict 90% of Big Data metrics by merely considering Form and Function.

However, to reach the 99% accuracy tipping point in analyzing Big Data one must abandon Behaviourism and folk psychology and enter the domain of precise mental processes where computations take us to the realm of the 10% motivator function.

This variable, when executed precisely, can lead one in the direction of their Prime Motivator (function). If the Prime Motivator is to provide the world with insight, a brilliant psychologist is born. If the Prime Motivator is to make money, the next billionaire is born. Of course there is the "1%-Lucky" group; you know, those people who win the lottery, though admittedly Joan Ginther might be a different case entirely.

Is Luck the Successful Execution of a Skill Set?

Whatever subject upon which one chooses to test the Theory of Form, Fit, and Function; this theoretical system + it's 1% variable seems to account for the majority of experiences associated with human behavior and its constructs.

We can test out the Theory of Form, Fit, and Function by mapping out any given subject according to the method described herein.

If, however, you're a person who likes to complicate things by painstakingly spelling them out, then Hevner gives the world 7 Guidelines for conducting this type of research:

  1. Design as an Artifact - Design-science research must produce a viable artifact in the form of a winning lottery ticket ~ just kidding! ... in the form of a construct, a model, a method, or an instantiation. 
  2. Problem Relevance - The objective of design-science research is to develop technology-based solutions to important and relevant business problems. 
  3. Design Evaluation - The utility, quality, and efficacy of a design artifact must be rigorously demonstrated via well-executed evaluation methods. 
  4. Research Contributions - Effective design-science research must provide clear and verifiable contributions in the areas of the design artifact, design foundations, and/or design methodologies. 
  5. Research rigor - Design-science research relies upon the application of rigorous methods in both the construction and evaluation of the design artifact. 
  6. Design as a Search Process - The search for an effective artifact requires utilizing available means to reach desired ends while satisfying laws in the problem environment. 
  7. Communication of Research - Design-science research must be presented effectively both to technology-oriented as well as management-oriented audiences. 

If, on the other hand, you're a person who likes to keep things simple, then the maxim "think hard & keep things simple" can also yield similar results.

*Random percentage utilized in lieu of determiner pronoun: most.

Wednesday, July 8, 2015

The Truth About Irony

Philosophers study humor for different reasons. Most have a certain axe to grind, a point to be made on a matter entirely self-conscious, a matter upon which they must conquer. 

Of course there are those philosophers who study humor for the sole purpose of redemption, a matter of personal guilt over which they must atone, and atonement only comes through self-understanding, the ability to differentiate oneself from the other. This approach when executed properly leads to wisdom, to higher understandings of motivation, execution, and assessment. 

Finally ~ for today, there are those philosophers who study humor to rise above it all. When the ironies of life have sufficiently fueled one's BUTTON,

... the next space greets us with relief. 

Hence the relief theory of humor, an aside, a half-laugh-half-sigh felt so profoundly one almost forever lives in the reverberation of its heartbeat. For these philosophers, irony becomes a blessing ~ a welcomed and familiar friend ... a reminder of one's self prior to the relation to other. 

This is the type of humor one must possess to appreciate the comic below. 


~ They are all considered "cool" by someone.
~ The only option that is not considered "cool" is the option
the one doing the considering does not consider "cool"
at the moment of consideration.

~ We all try to answer the question.
~Answers vary; hence, assumed differentiation;
hence, the unifying principle, 
~ therefore, 
Everyone has an opinion.

When it comes right down to it, philosophers are executive operators, individuals in possession of a hierarchy faculty that answer only to its ideal: wisdom

Wisdom is the mother of nature, that which we seek and find in relation to our relation to other. This type of self-understanding results in a sensitivity to life's ironies. A deeper understanding of the complexity of thoughts and feelings associated with one's own well-being allows the thinker of such thoughts temporal passage, a train ride through the problems and arguments, ideas and systems that offer that prototypical arena plenty of fodder for where future proposals and developments will in return quantify their position, counter with their hierarchy, and in the process, invariably somewhere undercut that which preceded. 

Yet what follows is not inevitably ironic when contrasted with that which precedes, even when it is opposed on a tangible level - and even if that opposition is recognized on an intentionally and self-consciously fabricated level ~ however enticing, the interpreters of such propositions are cautious in assessing relationships between concepts and even more so in giving any single one of them a label. 

But labels are important. Not only to others, but to our understanding of self. The desire to know which labels fit and which are merely temporarily carried forward until time permits deeper analysis is the impetus from which ability springs forth. Ironies fuel ability with a certain type of contemporaneousness thought, certain philosophical ideas, answers to which are found in the unification of parallel concepts, in bringing divergent constructs into a cogent whole. 

History has provided us with countless examples to illustrate the proposal that irony is a valuable heuristic tool. 

Remarks on irony and one's own sense of irony illustrate the presence of a contemplative mind at work. Conceding that such controversial matters deserve further thought and discussion, my own examples are provided for their usefulness to contrasts and comparisons made by others. Any internal motivations for such sharings are notably self-serving, useful when constructing analysis between two seemingly divergent concepts, divergent based on which side of the exchange one find's oneself: 

  1. Motivated by the desires
  2. Motivated by altruistic desire for unity

The ironic thing is ... 

At the moment of penning this post .... I have run out of time to discuss these matters as the events which stirred this sharing's impetus are taking precedence as the clock ticks onward. 

So, we'll have to re-consider these matters another day. Of course you are welcomed, nay encouraged to take this sharing forward, analyze the heck out of it so that implied as well as interpreted concepts presented herein can be redirected toward self, and then further analyzed for self-understanding as well as self-understanding in relation to other. 

Precisely mirroring the operational process of concept to verb. 

It has been this philosopher's experience that individuals with a myriad of perspectives loosely held are those with the greatest capacity for appreciating irony ... the funny thing is that humor arises from irony, from life's mirrored differences. 

Many mistake the mirror for difference. Humor, like us, wasn't present during the moment in which *nothing met with something. That moment when everything blew up ... what spewed forth was life as we know it ... 

It is no wonder that "laugh at life" jokes are rated among the funniest jokes of all time. It is the one thing upon which divergent cultures relate: life's triumphs and tragedies, gains and losses, successes and failures, likes and dislikes, loves and disdains. All held in relation to personal taste. 

At first there was *nothing 
and then it blew up !!!

(*Not entirely that simple, 
but it makes a good starting point for further discussion, 
as well as an irony over which to delight)